A  joyous tune celebrating brotherhood and unity from Rob Thomas, with a full Big Band behind it! The form of the original recording is closely followed but has a little extended tag/playout and a few extra horn licks here and there.

The Rhythm/Lead/Vocal sheet contains chord changes and rhythm section cues throughout. 

Performance options: As mentioned, with an extended outro, there are numerous opportunities to make cuts if not intending for this to run so long. The “On and on” tag could even be bypassed by jumping ahead to the Final Chorus rather than going back to the DS.

An optional violin part is included but it mostly doubles other instrumental lines throughout.

Also available as a standalone Lead Sheet or in a reduced 5-horn edition

A joyous tune celebrating brotherhood and unity from Rob Thomas! The form of the original recording is closely followed but has a little extended tag/playout.

The Rhythm/Lead/Vocal sheet contains chord changes and rhythm section cues throughout.

Performance options: As mentioned, with an extended outro, there are numerous opportunities to make cuts if not intending for this to run so long. The “On and on” tag could even be bypassed by jumping ahead to the Final Chorus rather than going back to the DS.

Also available with Full Band Accompaniment or in a reduced 5-horn edition

This fun Andrews Sisters-styled vocal feature by Mary Mary is presented here in an arrangement for full big band. The form and key of the original recording is followed.

Individual parts are included for all horn players. The Rhythm section part provides chords and cues to allow full participation regardless of ensemble makeup. Vocal part combines all three parts to a single staff - rehearsal mp3 reference recordings are available upon request.

This fun gospel standard is presented here for TTBB Quartet and Rhythm section.

Flexibility: This arrangement includes optional (but encouraged) Rhythm Section parts. While the chart is constructed that it will work just fine A Cappella, having a at least a pianist on board will kick this one up a notch.

Performance options: The form of the tune is call and response throughout. The end of the first chorus can be treated as a quasi-fermata the first time with the vocals restarting the time, but could repeat back to the instrumental opening as well if desired

This fun classic rock anthem from Queen is presented here for Brass Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.

Flexibility: This arrangement includes an optional (but encouraged) drum kit part. While the chart is constructed that it will work just fine without it, having a drummer on board will kick this one up a notch.

Performance options: As noted, the form of the original is mostly followed with a few “2nd time only” cues for variety, this can also be streamlined if so desired. The repeated first/second verse section near the start could jump ahead to the second ending to save time. Also, rather than following the transition back to the D.S., a group alternatively could jump straight to the coda having already covered the bulk of the song.

Also available for Wind Quintet or Clarinet or Saxophone Quintets

This wedding reception/dance party standard is presented here in an arrangement for the instrumentation of Alford’s “Hungry Five” series of Polka band books. As this song is meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time the D.S. is taken. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle!

Flexibility: The 5 parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm, so that part is included as a bonus for groups who have a drummer available. Ready to go for your German band's Oktoberfest OomPah gig!

This wedding reception/dance party standard is presented here in an arrangement for Brass Quintet. As this song is meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time taking the D.S. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle!

Flexibility: The 5 core brass parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm. This arrangement’s package includes a sub part for Alto Sax in place of the F Horn.

This 70's-era gospel standard is presented here in a TTBB Men's Quartet (or Men’s Chorus) arrangement much in the style as performed by the Oak Ridge Boys. Besides the vocal parts, this arrangement also includes the chord changes throughout (with guitar fretboards) and notated piano introduction.

Range-wise, there are a few things to watch for. The Bass part is intended for a very low voice going down to the low “C” below the staff. The Tenor line spends a good deal of time up at the “G” on top of the staff, and there is also a high “Willie Wynn” - styled solo at the end.

A great addition to either celebratory worship services or special concert settings!

Also available as a TTBB Quartet/Choir with Piano Accompaniment

This classic gospel tune bu Garland Croft is presented here in a TTBB Men's Quartet arrangement in the style recorded by the Oak Ridge Boys on their 1976 Gospel album, "Old Fashioned Down Home Hand Clappin' Foot Stompin' Southern Style Gospel Quartet Music." This matches the key and form of the original recording and provides chords and vocal parts as well as a piano intro that should be workable with any number of rhythm section players.

Halsey's 3AM is presented here as a lead sheet/rhythm/vocal/chords chart that matches the key and form of the original recording.

This powerful song from Casting Crowns is presented here as a Rhythm/Vocal Lead Sheet and 4-3-3 horn section. Strings are included along with a synth reduction. The form matches the original recording and is ½ step lower.

Flexibility: This arrangement will work in multiple contexts. Any number of Rhythm players and vocalist will get adequate information from the lead sheet to make for a complete performance. The freestanding String Quartet parts are reduced into the Synth part for additional reinforcement of string lines if so desired, but that part also includes chord symbols to allow for pads in tacet phrases. The horn section parts are unique to this arrangement and add some extra punch to a live performance without interfering with the core of the piece.

Also available as a freestanding Lead Sheet or with just the string section accompaniment

This powerful song from Casting Crowns is presented here as a Rhythm/Vocal Lead Sheet and string quartet. The form matches the original recording and is ½ step lower.

Flexibility: This arrangement will work in multiple contexts. Any number of Rhythm players and vocalist will get adequate information from the lead sheet to make for a complete performance. The freestanding String Quartet parts are reduced into the Synth part for additional reinforcement of string lines if so desired, but that part also includes chord symbols to allow for pads in tacet phrases.

Also available as a freestanding Lead Sheet or full band with strings and horns

This powerful song from Casting Crowns is presented here as a Rhythm/Vocal Lead Sheet. The form matches the original recording and is ½ step lower.

Also available with string section accompaniment or full band with strings and horns

This fun song from Jimmy Buffett is presented here as a Rhythm/Vocal Lead Sheet. The key and form match the original recording.

Flexibility: This arrangement will work in multiple contexts. Any number of Rhythm players and vocalist will get adequate information from the lead sheet to make for a complete performance. Additionally included is a pair of Saxophone parts that are provided in proper transpositions for Alto or Tenor Saxophones, so flexible instrumentation can be accommodated. Additionally, if you happen to have a steel drum player handy (or even a nice keyboard patch) a Steel drum part is included to add a little extra “island” flavor!

This fun song from Alan Jackson and Jimmy Buffett is presented here as a Rhythm/Vocal Lead Sheet. The key and form match the original recording.

Flexibility: This arrangement will work in multiple contexts. Any number of Rhythm players and vocalist will get adequate information from the lead sheet to make for a complete performance. Additionally included is a pair of Saxophone parts that are provided in proper transpositions for Alto or Tenor Saxophones, so flexible instrumentation can be accommodated. Additionally, if you happen to have a steel drum player handy (or even a nice keyboard patch) a Steel drum part is included to add a little extra “island” flavor!

This empowering song from Taylor Swift is available here as an arrangement for String Quartet. The form and key match the original recording.

In this arrangement, all 4 string parts get the opportunity to play some active and interesting lines. The active rhythmic nature of the original song may pose a slight challenge for younger or less experienced players.

This song is also available as a Rhythm/Vocal Lead Sheet, Clarinet Quartet/Choir or SATB Saxophone Quartet

This fun song from Taylor Swift is available here as a vocal lead sheet with chords. The form and key match the original recording.

This song is also available in an arrangement for unaccompanied String Quartet, Clarinet Quartet/Choir or SATB Saxophone Quartet

This arrangement gives a horn section a chance to fill up a performance of Alicia Keys' "If I Ain't Got You." This horn chart follows the key and form of the original track to bring some extra support to the synth parts. The Bari Sax part is Optional. Really lifts up a live performance!

Also available up a whole step in the key of A

This Mamas and the Papas classic is presented here as an SATB Vocal chart with rhythm section chords and cues. This arrangement matches with the Extended ALBUM version of the song...there's some extra material not present in the Single/radio play version.

Sia's powerful song "Unstoppable" is available here arranged for performance by a string quartet. Key of F#minor. Follows the form and key of the original recording. 

Also available as a Lead Sheet or for Clarinet Quartet/Choir or SATB Saxophone Quartet

This tender recording from Zach Williams & Dolly Parton is presented here in a Piano/Vocal arrangement. The lead sheet is included with this package

This Piano part and Lead Sheet both conform to the original performance: same key and same form. Vocal harmonies are cued above the full-sized notes of the melody. Dolly takes some liberties here and there, but not every inflection is notated every time.

Also available independently with only the Lead Sheet.

Additionally available as in a Lowered Key as a Lead Sheet or a Piano/Vocal arrangement.

This arrangement gives a trumpet player a chance to beef up a performance of Steely Dan's "Hey Nineteen." This horn chart follows the key and form of the original track to bring some extra spice. Really lifts up a live performance!

This arrangement gives a horn section a chance to beef up a performance of Steely Dan's "Gaucho." This horn chart follows the key and form of the original track to bring some extra spice. Contains a full transcription of the Tenor Sax solos. Really lifts up a live performance!

This arrangement gives a horn section a chance to beef up a performance of Steely Dan's "Dirty Work." This horn chart follows the key and form of the original track to bring some extra spice. Really lifts up a live performance!

Also available transposed down a half-step to C Major